Tuesday, February 10, 2009

Ferndorf; Infinite Leagues

During our show last weekend I dug up a few CDs that were ignored when they first came in the mail toward the end of last year (our reviewing system is sadly very disorganized.) I'm lucky I decided to go through the bin, because I found two really good albums from last October: Ferndorf by Hauschka and Infinite Leagues by Golden Birthday.

Ferndorf is the third album by neo-classical minimalist composer, Volker Bertelmann, who makes use of a technique called "prepared piano" to create his short pieces of warm, melodic goodness. The technique involves putting random objects between the strings of the piano, and it was first explored by early pioneers of experimental music like John Cage. The result, in addition to the other string and percussion instruments layered over the repetitive piano backdrop, is a folksy, earthy sound that quickly progresses around the musical ideas. The album is named for Bertelmann's hometown, and it actually captures what I imagine to be the feeling of riding a bicycle around some Eastern European country. Very pretty, especially "Rode Null" and "Eltern."
Infinite Leagues had "For fans of early Eno and New Order" written on the distributor label, which is what immediately drew me to give it a listen. The voice does sound like Eno, but that was about the extent of the comparisons. The music is very touching, however, as it combines layers of lo-fi electronic pop to create a sort of surreal environment, again using repetition to set the mood. The closing track, "Good Guys," is especially phenomenal, most probably due to my affinity for vocoder experimentation. Side note: is it just me or does the cover look almost exactly like the cover (at least in idea) of Dan Deacon's upcoming Bromst LP? And, if the similarity was intentional, who copied whom? This one came out last October...

Finally, I somehow managed to get a copy of the new Junior Boys album that is scheduled for release in April, Begone Dull Care. Basically, it's amazing. Fans of Last Exit and So This Is Goodbye will definitely not be disappointed, and at the same time the duo manages to progress into new territory and refine their sound. "Dull To Pause" is just as heartbreaking as "Like A Child" while "Parallel Lines" is just as thrilling as "Teach Me How To Fight." Bravo! I'd post a picture, but unfortunately it's so premature to its release that it doesn't even have album art yet.

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