Tuesday, May 19, 2009

Mind Over Time

I'm not sure when it will be released or if it's even a real Interpol project, but a rarities compilation consisting of 19 remixes and unreleased tracks has been floating around the internet recently. It's called Mind Over Time and it collects Interpol's early self-titled and Remix EPs as well as Japan-exclusive bonus tracks, outtakes, and new mixes of songs from Our Love To Admire, their most recent album. A lot of the remixes are sort of worthless because they sound almost exactly like the originals and true Interpol fans will already have most of the material on the compilation, but there are a few specifics that are definitely worth hearing and owning.
The title track, "Mind Over Time," is a dark, moody piece written and recorded during the sessions for OLTA that resembles the untitled track from Turn On The Bright Lights. It features samples of radio broadcasts and a truly haunting vocal performance from frontman Paul Banks. The entire Interpol EP is also included, but "Song 7" and "Precipitate" are really the only two tracks from the pre-TOTBL era that deserve attention. Banks' alternate version of "Narc" is mostly acoustic and sounds more eerie, subdued, and surreal than the album version. The Carlos D remix of "Public Pervert" is one of the best remixes I've heard in a while, taking all of the best elements of the original song and repeating them over and over in time with a cool electronic dance beat. The Interpool Swimwear remix of "Untitled" is also really interesting as it overlays choppy samples of the song on top of some of the actual instrumentals, creating something both comfortably familiar and excitingly different. The Phones remix of "Heinrich Manuever" is also pretty different from the original and is worth checking out. The closing track on the compilation, "Fog Vs. Mould For The Length Of Love," is actually much better than the Antics version, adding a steady Krautrock beat and switching back and forth between tension and release. The most exciting alternate take presented, however, is the orchestral version of "Pioneer To The Falls," which sounds exactly as it seems: it's as if Interpol were on stage in a theater playing with a full backing orchestra, and it makes the already brilliant song more epic than ever.

No comments: