Maybe it's because there's only 9 tracks instead of 13 or 14, maybe it's the increased collaboration with Angel Deradoorian (like on the beautiful "Two Doves") and Amber Coffman (who contributes vocals on the stellar single "Stillness Is The Move"), or maybe it's just a natural progression for Dave Longstreth's new-folk project, but Bitte Orca seems like a much more focused album and may be the best they've recorded yet. The sound is more polished and the musical themes are much more fleshed out, while the songs are jam-packed with the same energy present in the best tracks of their discography. They're catchier and more accessible than ever, and while that may seem like a bad thing to some, accessibility is exactly what Dirty Projectors needed. This is not to say that they sold out or even came close, they've just finally refined their sound to its pinnacle: the bizarre song structures, rhythms, and guitar-work are just as weird as ever and the songs still have the distinct Dirty Projectors sound. This is exemplefied in the raucous opener "Cannibal Resource" as well as the more subtle tracks "No Intention" and "Remade Horizon." Though it actually isn't released until June 9th, this album is already on my list of the best of 2009.
Showing posts with label dirty projectors. Show all posts
Showing posts with label dirty projectors. Show all posts
Saturday, April 25, 2009
Bitte Orca
Another hit-or-miss group, Dirty Projectors, also have a new album right around the corner: Bitte Orca. "Warholian Wigs" and "I Will Truck" from The Getty Address as well as "What I See" and "Gimme Gimme Gimme" from Rise Above are examples of experimentation that work beautifully, whereas some other tracks are just too out there to sound pleasing. Bitte Orca, however, is all hit and no miss.
Maybe it's because there's only 9 tracks instead of 13 or 14, maybe it's the increased collaboration with Angel Deradoorian (like on the beautiful "Two Doves") and Amber Coffman (who contributes vocals on the stellar single "Stillness Is The Move"), or maybe it's just a natural progression for Dave Longstreth's new-folk project, but Bitte Orca seems like a much more focused album and may be the best they've recorded yet. The sound is more polished and the musical themes are much more fleshed out, while the songs are jam-packed with the same energy present in the best tracks of their discography. They're catchier and more accessible than ever, and while that may seem like a bad thing to some, accessibility is exactly what Dirty Projectors needed. This is not to say that they sold out or even came close, they've just finally refined their sound to its pinnacle: the bizarre song structures, rhythms, and guitar-work are just as weird as ever and the songs still have the distinct Dirty Projectors sound. This is exemplefied in the raucous opener "Cannibal Resource" as well as the more subtle tracks "No Intention" and "Remade Horizon." Though it actually isn't released until June 9th, this album is already on my list of the best of 2009.
Maybe it's because there's only 9 tracks instead of 13 or 14, maybe it's the increased collaboration with Angel Deradoorian (like on the beautiful "Two Doves") and Amber Coffman (who contributes vocals on the stellar single "Stillness Is The Move"), or maybe it's just a natural progression for Dave Longstreth's new-folk project, but Bitte Orca seems like a much more focused album and may be the best they've recorded yet. The sound is more polished and the musical themes are much more fleshed out, while the songs are jam-packed with the same energy present in the best tracks of their discography. They're catchier and more accessible than ever, and while that may seem like a bad thing to some, accessibility is exactly what Dirty Projectors needed. This is not to say that they sold out or even came close, they've just finally refined their sound to its pinnacle: the bizarre song structures, rhythms, and guitar-work are just as weird as ever and the songs still have the distinct Dirty Projectors sound. This is exemplefied in the raucous opener "Cannibal Resource" as well as the more subtle tracks "No Intention" and "Remade Horizon." Though it actually isn't released until June 9th, this album is already on my list of the best of 2009.
Thursday, February 12, 2009
Sweet Love For 2009
So 2009 is actually shaping up to be quite a year, and it's still only February. Not only are there a ton of great new albums from reputable artists, but there are also some great new groups (and more are on the way!) A key element to the success so far, however, is this compilation album:
Dark Was The Night, the brainchild of Aaron and Bryce Dessner (both members of indie rock greats The National), is a Red Hot Organization compilation released on the 4AD label to raise awareness about HIV and AIDS. Also, it's pure genius. It's like they read my mind when gathering these 31 exclusive tracks spread across 2 CDs or 3 LP records. If you like the same music I do, you're likely to immediately recognize about 50% of the artists just from the tracklisting and then recognize another 45% when you actually hear the songs, as there's a lot of solo work here from members of notable bands. Not only are the brand new tracks representative of the best work from each artist (a lot of which happen to be my personal favorite musicians), but about half of the tracks are duets(!!!) I can't really think of anything I enjoy more than hearing two extremely familiar voices pair up to create something greater than the sum of its parts. My favorite tracks from the album include "Knotty Pine," an unexpected collaboration between Dirty Projectors and David Byrne, "Cello Song," which features the vocals of Jose Gonzalez crooning over the electronic sample-based pop of The Books, and "Service Bell," a chilling interplay between Leslie Feist and Daniel Rossen of Grizzly Bear. I don't think I've ever heard another compilation album that's quite as strong.
Aside from that, I've found more information about some important albums that are due this year and heard some more rumors of things to come that sound very interesting:
1) Hold Time, M. Ward's follow-up to the acclaimed Post-War, will be here on February 17th. It's already gotten good reviews, so keep your ears out for this one.
2) Black Moth Super Rainbow's Eating Us is set to follow their Dandelion Gum and will be released May 26th.
3) It's official: Veckatimest, Grizzly Bear's proper follow-up to one of my favorite albums, Yellow House, is scheduled for release also on May 26th. It will supposedly feature guest appearances by minimalist composer Nico Muhly (who, incidentally, provided the score for "The Reader", possibly my favorite movie of the season) and Victoria Legrand of Beach House.
4) On May 19th, Sub Pop will release a collection of rarities from Iron & Wine, and I'll finally be able to hear that really long ballad song that everyone's been talking about. There will also be some Postal Service, Flaming Lips, and New Order covers, so get excited!
5) In addition, Patrick Wolf, Swan Lake, Akron/Family, Metric, Royksopp, Echo & The Bunnymen, Alela Diane, Vetiver, Phosphorescent, and Architecture In Helsinki will also be releasing new albums this year (some of which should be out before the end of the month.) Crystal Antlers, after a couple of introductory EPs, will release a debut this month as well. Blind Man's Colour, a band gaining popularity through covers of Animal Collective's "Taste" and "Brothersport" and which has a very similar sound (from what I heard from a fellow BSR program), will be releasing a debut album and EP as soon as a record label will sign them. I think someone better get on that...
I'll keep y'all posted on any news, as long as you'll keep your fingers crossed for a new Sufjan, Panda Bear, and Joanna.
Dark Was The Night, the brainchild of Aaron and Bryce Dessner (both members of indie rock greats The National), is a Red Hot Organization compilation released on the 4AD label to raise awareness about HIV and AIDS. Also, it's pure genius. It's like they read my mind when gathering these 31 exclusive tracks spread across 2 CDs or 3 LP records. If you like the same music I do, you're likely to immediately recognize about 50% of the artists just from the tracklisting and then recognize another 45% when you actually hear the songs, as there's a lot of solo work here from members of notable bands. Not only are the brand new tracks representative of the best work from each artist (a lot of which happen to be my personal favorite musicians), but about half of the tracks are duets(!!!) I can't really think of anything I enjoy more than hearing two extremely familiar voices pair up to create something greater than the sum of its parts. My favorite tracks from the album include "Knotty Pine," an unexpected collaboration between Dirty Projectors and David Byrne, "Cello Song," which features the vocals of Jose Gonzalez crooning over the electronic sample-based pop of The Books, and "Service Bell," a chilling interplay between Leslie Feist and Daniel Rossen of Grizzly Bear. I don't think I've ever heard another compilation album that's quite as strong.Aside from that, I've found more information about some important albums that are due this year and heard some more rumors of things to come that sound very interesting:
1) Hold Time, M. Ward's follow-up to the acclaimed Post-War, will be here on February 17th. It's already gotten good reviews, so keep your ears out for this one.
2) Black Moth Super Rainbow's Eating Us is set to follow their Dandelion Gum and will be released May 26th.
3) It's official: Veckatimest, Grizzly Bear's proper follow-up to one of my favorite albums, Yellow House, is scheduled for release also on May 26th. It will supposedly feature guest appearances by minimalist composer Nico Muhly (who, incidentally, provided the score for "The Reader", possibly my favorite movie of the season) and Victoria Legrand of Beach House.
4) On May 19th, Sub Pop will release a collection of rarities from Iron & Wine, and I'll finally be able to hear that really long ballad song that everyone's been talking about. There will also be some Postal Service, Flaming Lips, and New Order covers, so get excited!
5) In addition, Patrick Wolf, Swan Lake, Akron/Family, Metric, Royksopp, Echo & The Bunnymen, Alela Diane, Vetiver, Phosphorescent, and Architecture In Helsinki will also be releasing new albums this year (some of which should be out before the end of the month.) Crystal Antlers, after a couple of introductory EPs, will release a debut this month as well. Blind Man's Colour, a band gaining popularity through covers of Animal Collective's "Taste" and "Brothersport" and which has a very similar sound (from what I heard from a fellow BSR program), will be releasing a debut album and EP as soon as a record label will sign them. I think someone better get on that...
I'll keep y'all posted on any news, as long as you'll keep your fingers crossed for a new Sufjan, Panda Bear, and Joanna.
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