Though the album art is extremely ugly and unappealing, the music is quite the opposite. The repetitive synthesized elements that characterized most of The Knife's work are also found here, yet more natural percussion is also included on some tracks, forming a concoction that is actually surprisingly similar to Animal Collective's "My Girls". While that alone could make for a good album, the real key with Fever Ray is Andersson's off-kilter, piercing vocals. She uses effects similar to Laurie Anderson's vocoder manipulations, and similarly has two separate "voices": one shockingly smooth and deep and the other her usual screechings. The layering of the two works beautifully and creates a richer, more lush feeling for each pop melody.
Most of the tracks are actually really good, but I guess my top picks would have to be "When I Grow Up," "Triangle Walks," and "I'm Not Done." Definitely one of the better releases so far this year, which I guess isn't saying much but whatever. Happy listening!
No comments:
Post a Comment